<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>https://wiki.americanmusicclub.com/index.php?action=history&amp;feed=atom&amp;title=Articles%3ABAM_-_May_2%2C_1997</id>
	<title>Articles:BAM - May 2, 1997 - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://wiki.americanmusicclub.com/index.php?action=history&amp;feed=atom&amp;title=Articles%3ABAM_-_May_2%2C_1997"/>
	<link rel="alternate" type="text/html" href="https://wiki.americanmusicclub.com/index.php?title=Articles:BAM_-_May_2,_1997&amp;action=history"/>
	<updated>2026-06-02T16:39:09Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.39.7</generator>
	<entry>
		<id>https://wiki.americanmusicclub.com/index.php?title=Articles:BAM_-_May_2,_1997&amp;diff=30015&amp;oldid=prev</id>
		<title>Amc-admin at 17:09, 13 May 2018</title>
		<link rel="alternate" type="text/html" href="https://wiki.americanmusicclub.com/index.php?title=Articles:BAM_-_May_2,_1997&amp;diff=30015&amp;oldid=prev"/>
		<updated>2018-05-13T17:09:06Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:09, 13 May 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot;&gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Author: Bill Crandall&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Author: Bill Crandall&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Date: May 1997&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Date: May 1997&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;	&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[File:ME-BAM97.jpg|200px|thumb|left]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;I&amp;#039;m moving somewhere. I&amp;#039;m just gonna get in my car and drive.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;I&amp;#039;m moving somewhere. I&amp;#039;m just gonna get in my car and drive.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Amc-admin</name></author>
	</entry>
	<entry>
		<id>https://wiki.americanmusicclub.com/index.php?title=Articles:BAM_-_May_2,_1997&amp;diff=30013&amp;oldid=prev</id>
		<title>Amc-admin: Created page with &quot;{{DISPLAYTITLE:BAM - May 1997}}  &#039;&#039;&#039;Mark Eitzel Moves Himself Ahead&#039;&#039;&#039;&lt;br&gt; Publication: BAM&lt;br&gt; Author: Bill Crandall&lt;br&gt; Date: May 1997 	 &quot;I&#039;m moving somewhere. I&#039;m just gonn...&quot;</title>
		<link rel="alternate" type="text/html" href="https://wiki.americanmusicclub.com/index.php?title=Articles:BAM_-_May_2,_1997&amp;diff=30013&amp;oldid=prev"/>
		<updated>2018-05-13T17:08:06Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;{{DISPLAYTITLE:BAM - May 1997}}  &amp;#039;&amp;#039;&amp;#039;Mark Eitzel Moves Himself Ahead&amp;#039;&amp;#039;&amp;#039;&amp;lt;br&amp;gt; Publication: BAM&amp;lt;br&amp;gt; Author: Bill Crandall&amp;lt;br&amp;gt; Date: May 1997 	 &amp;quot;I&amp;#039;m moving somewhere. I&amp;#039;m just gonn...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{DISPLAYTITLE:BAM - May 1997}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Mark Eitzel Moves Himself Ahead&amp;#039;&amp;#039;&amp;#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Publication: BAM&amp;lt;br&amp;gt;&lt;br /&gt;
Author: Bill Crandall&amp;lt;br&amp;gt;&lt;br /&gt;
Date: May 1997&lt;br /&gt;
	&lt;br /&gt;
&amp;quot;I&amp;#039;m moving somewhere. I&amp;#039;m just gonna get in my car and drive.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
These are not new lyrics from [[Mark Eitzel]]&amp;#039;s new record; these are his plans, as told to me outside a Hayes Valley cafe. Eitzel is back in San Francisco, the overcast canvass of the first 10 years of his songwriting, for one reason only: he is broke. He needs enough money to paint his Bernal Heights house so he can rent it, and then....well, you know the rest.&lt;br /&gt;
&lt;br /&gt;
Eitzel spent the past year in New York (the city with that suddenly depressing &amp;quot;If I can make it there...&amp;quot; slogan) in relative bliss. The trouble was the city by the Hudson is even tougher on the wallet than the city by the bay.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I just just spent a lot more money on drinks, you know? Bars don&amp;#039;t shut &amp;#039;til six. And I just haven&amp;#039;t earned any money since 1994.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Ah,1994. Things were really looking up then. Eitzel and [[American Music Club]], his band of moody men who made &amp;quot;sadcore&amp;quot; a provincial household word, released &amp;#039;&amp;#039;[[San Francisco]]&amp;#039;&amp;#039;, the album that finally was to show America what the critics had been talking about all those years. After 1991&amp;#039;s &amp;#039;&amp;#039;[[Everclear]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Rolling Stone&amp;#039;&amp;#039; named Eitzel best songwriter in it&amp;#039;s critics poll; and after 1993&amp;#039;s &amp;#039;&amp;#039;[[Mercury]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;Melody Maker&amp;#039;&amp;#039; dubbed him &amp;quot;one of the greatest living songwriters.&amp;quot; But your cousin in Pleasant Valley still had never heard of [[American Music Club]].&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;[[San Francisco]]&amp;#039;&amp;#039; was another collection of wondrous stories told in a more upbeat - rather, less lugubrious - fashion than it&amp;#039;s predecessors. And the boys even served up a cover of &amp;quot;[[California Dreamin&amp;#039;]]&amp;quot;. But, despite more critical praise, lyrics like &amp;quot;A manic depression that just wouldn&amp;#039;t go away/Like Peckinpah with a bouquet of poison ivy&amp;quot; clamored for commercial failure.&lt;br /&gt;
&lt;br /&gt;
In 1995, when Eitzel came to terms that he could not write pop songs that &amp;quot;could sustain everybody&amp;#039;s salaries,&amp;quot; AMC disbanded. The next year, Eitzel released his solo debut, &amp;#039;&amp;#039;[[60 Watt Silver Lining]]&amp;#039;&amp;#039;. Drastically departing from AMC&amp;#039;s three-guitar sound, Eitzel transcribed his guitar parts via computer to piano and then brought in ex-bandmate [[Bruce Kaphan]] to play with them. With further help from [[Mark Isham]] on trumpet and [[Danny Pearson]] (also from AMC) on acoustic bass, Eitzel tried his hand at quiet, jazz crooner.&lt;br /&gt;
&lt;br /&gt;
Again, commercial failure. Tired of being a ghost of a great band past, Eitzel moved 3,000 miles away to New York, where folks don&amp;#039;t trade tales of his drunkenness while spilling Sierra Nevada on their shoes, and audience members shout, &amp;quot;Are you gay?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I belonged there,&amp;quot; he tells me. &amp;quot;I could make friends on my own terms and not worry about having been [[Mark Eitzel]] for 10 years.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Eitzel&amp;#039;s newest friend is longtime fan [[Peter Buck]]. Soon after the two met at one of Eitzel&amp;#039;s Seattle shows, Buck came to San Francisco and they began writing songs in Eitzel&amp;#039;s living room. The songs are a collaboration in the truest sense of the word: Buck&amp;#039;s music and Eitzel&amp;#039;s words, hammered out in a three-day flurry. Buck then booked studio time in Seattle and employed his new supergroup, [[Tuatara]], to back up Eitzel.&lt;br /&gt;
&lt;br /&gt;
What resulted is &amp;#039;&amp;#039;[[West]]&amp;#039;&amp;#039;, Eitzel&amp;#039;s second solo album. Far and away the most focused thing Eitzel&amp;#039;s ever been part of, &amp;#039;&amp;#039;[[West]]&amp;#039;&amp;#039; is Buck at his most jangliest. The songs actually zip, and, unfortunately, Eitzel is already getting his hopes up.&lt;br /&gt;
&lt;br /&gt;
BAM: Talk about the new album?&lt;br /&gt;
&lt;br /&gt;
I like it. I think it&amp;#039;s great. It&amp;#039;s something me and Peter did together and I&amp;#039;m proud of it. I remember when I first started working with Peter I was on this [[American Music Club]] mailing list on the internet and I used to read all about me. It was totally narcissistic and evil, but I did it. I need something to make me feel good. Most of them are really nice people, but then as soon as I started working with Peter, there was all this stuff about how I&amp;#039;m selling out and how I&amp;#039;m over and they can&amp;#039;t believe I&amp;#039;m doing it. And all I could say was, &amp;quot;You didn&amp;#039;t treat me like a friend; he did. You didn&amp;#039;t like buy me a bunch of beers and try to hang out with me and speak in the same kind of language I speak and talk about music in the same way I talk and have the same kind of excitements that I do about things.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
They didn&amp;#039;t, you know? Fuck &amp;#039;em. I wrote this poor guy a long, long e-mail and ripped into him like the asshole that I am. So I got off the mailing list. I just thought, &amp;quot;With fans like these, fuck it.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
It sounds terrible.The whole thing about having fans, being somebody, is completely undermining to any kind of normal work. I was at Tower Video last night. The guy knew me and I was in a really sour mood. And if you&amp;#039;re in a sour mood, the employees at Tower Video usually want to amplify that for you. So I was like, &amp;quot;Here&amp;#039;s my fucking video card. I&amp;#039;m sorry I didn&amp;#039;t have it out right away.&amp;quot; And he goes, &amp;quot;Oh, you&amp;#039;re [[Mark Eitzel]].&amp;quot; And I was like, &amp;quot;Yeah, so?&amp;quot; He said, &amp;quot;Well that&amp;#039;s not such a bad thing to be, is it?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
It&amp;#039;s not such a bad thing to be: it&amp;#039;s a great thing to be. I&amp;#039;m lucky I can do this.&lt;br /&gt;
&lt;br /&gt;
BAM: How did the Peter Buck Collaboration come about?&lt;br /&gt;
&lt;br /&gt;
He showed up at a show I did in Seattle, and he came the second night as well.&lt;/div&gt;</summary>
		<author><name>Amc-admin</name></author>
	</entry>
</feed>