From The Mind Of M. Applegate, Beautician: Difference between revisions

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# "Moonshiner" - Haley Bonar
# "Moonshiner" - Haley Bonar
# "Sinking Ship" - The New Year
# "Sinking Ship" - The New Year
# "The Colour Of Water" - Dakota Suite
# "El Ya Sabia" - Tre/Molo
# "Threads Of Carbon In Watercolour" - Knife In The Water
# '''"From The Mind Of M. Applegate, Beautician" - Mark Eitzel'''
# "From Where I Sit On The Bridge Or The Water Is Waiting" - Diana Darby
# "Home On The Range" - Phosphorescent
# "The Waves" - Greg Weeks
# "Electro-Meringue-Clásico" - DJ Afro
# "Watercolor Rose" - Doug Hoekstra
# "House Of The Rising Sun" - Jet Set Six
# "Henshaw" - Early Day Miners
# "Smashing Party" - Parker And Lily
# "Lilac" - Empty House Cooperative
# "Somebody" - Discar
# "Water Colored" - Howe Gelb
# "Jeanie With The Light Brown Hair" - Pat Irwin
# "Neptune" - Magic 12
# "Beautiful Dreamer" - Dean Wareham
# "John King's Watercolor Bicycle" - M. Ward
# "Water Fills The Bedroom" - Tracker
# '''"Sunset Retirement Community" - Mark Eitzel'''
# "The Year That Got Away (Watercolor, 2000)" - TW Walsh
Disc 2:
# "North School Drive" - The Clientele
# "Watercolor..." - Paloma
# "Watercolor Lines" - Paula Frazer
# "Colouring Iris" - Sodastream
# "Never Like Graffiti" - Emak Bakia
# "Painter Blue" - Willard Grant Conspiracy
# "Atrevete A Quererme" - Viva las Vegas
# "Water Color" - Virgil Shaw
# "La Source" - Vera Clouzot
# "Fireworks" - The Court and Spark
# "La Ley Del Feriante" - Nacho Vegas
# "Saigon Shrunken Panorama" - The Mountain Goats
# "High Wire" - Tara Jane O'Neill
# "Missed Holidays (An Exchange For A Watercolor)" - Norfolk & Western
# "Camelot" - Sarah White
# "Water's Colored" - For Stars
}}
}}


'''"Sunset Retirement Community"''' is a mostly instrumental song from [[Mark Eitzel]] that appears as the 15th song on the 1st disc of the 2-disc ''Acuarela Songs'' compilation, released by Spain's Acuarela Discos label in 2001. All tracks commissioned for this compilation had the theme of watercolors. The song is another in the line of Eitzel's stint of writing fake commercials, the only other of which has been released being "[[Welcome To Whitehall]]".
'''"From The Mind Of M. Applegate, Beautician"''' is a mostly instrumental song from [[Mark Eitzel]] that appears as the 5th song on the ''Public Domain'' compilation, which accompanied the first issue of Esopus Magazine in the fall of 2003.  
 
About the compilation, ''Esopus'' stated, "For our first invitational, we gave a group of musicians the following assignment: Create a song based—directly or in the most oblique way imaginable—on public domain material. Some of the participants chose to work from public-domain recorded music purchased for this project, while others contributed unique covers of older traditional tunes."


==References==
==References==

Revision as of 15:16, 13 September 2017

"From The Mind of M. Applegate, Beautician"
Esopus1.jpg
Esopus #1 magazine cover
Song by Mark Eitzel from the album Esopus #1
Released 2003
Format CD + magazine
Label Esopus
Writer(s) Mark Eitzel
Producer(s) Mark Eitzel
Esopus #1 track listing
  1. "Hallelujah, I'm A Bum" - Wide Right
  2. "Moonshiner" - Haley Bonar
  3. "Sinking Ship" - The New Year
  4. "El Ya Sabia" - Tre/Molo
  5. "From The Mind Of M. Applegate, Beautician" - Mark Eitzel
  6. "Home On The Range" - Phosphorescent
  7. "Electro-Meringue-Clásico" - DJ Afro
  8. "House Of The Rising Sun" - Jet Set Six
  9. "Smashing Party" - Parker And Lily
  10. "Somebody" - Discar
  11. "Jeanie With The Light Brown Hair" - Pat Irwin
  12. "Beautiful Dreamer" - Dean Wareham

"From The Mind Of M. Applegate, Beautician" is a mostly instrumental song from Mark Eitzel that appears as the 5th song on the Public Domain compilation, which accompanied the first issue of Esopus Magazine in the fall of 2003.

About the compilation, Esopus stated, "For our first invitational, we gave a group of musicians the following assignment: Create a song based—directly or in the most oblique way imaginable—on public domain material. Some of the participants chose to work from public-domain recorded music purchased for this project, while others contributed unique covers of older traditional tunes."

References

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